Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.
John BetjemanRead
Silver and ermine and red faces full of port wine.
Interpretation
The quote reflects the opulence and social settings of a certain class, evoking both beauty and indulgence.
John Betjeman's quote, 'Silver and ermine and red faces full of port wine', evokes a vivid image of luxury and indulgence in social gatherings of the affluent. It brings to mind the grandeur of wealth, characterized by expensive materials like silver and ermine, combined with the more relaxed and jovial atmosphere suggested by the 'red faces full of port wine', thus capturing the essence of a celebration or the hedonistic aspects of life among the elite.
In practice
This quote can be used in discussions about the decadence of the upper class in literature.
Childhood is measured out by sounds and smells and sights, before the dark hour of reason grows.
It is really so nice here-country-busy-busy with so many different kinds of things-... I must say I feel far away in another world here-... always we go to a new place...the people have a kind of gentleness that isn't usual on the mainland.
The silent thing onstage allows for a kind of intimacy that no conversation can have. If I just shut up, we're forced to look at each other and really confront that moment.
My main point about films is that I don't like the adaptation process, and I particularly don't like the modern way of comic book-film adaptations, where, essentially, the central characters are just franchises that can be worked endlessly to no apparent point.
As a composer at a point where I can absolutely pick and choose what I want to do, I don't want to write about anybody I don't care about.
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
Subscribe for the occasional hand-picked quote. No noise.