I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
Peter JacksonRead
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
Interpretation
Human beings are inherently drawn to stories that resonate with their emotions and experiences.
Peter Jackson emphasizes the deep human need for storytelling, indicating that while simple entertainment may have its place, it is the relatable and emotional narratives that truly engage and resonate with us. He suggests that the richness of human experience and the complexity of our emotions will always lead to more profound stories rather than just surface-level entertainment.
In practice
In a discussion on the importance of storytelling in film, this quote illustrates the need for depth in narratives.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
I have a freedom that's incredibly valuable. Obviously my freedom is far smaller in scale than people like Zemeckis and Spielberg have here. But it's comparable. I can dream up a project, develop it, make it, control it, release it.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
The most honest form of filmmaking is to make a film for yourself.
I've always tried to make movies that pull the audience out of their seats... I want audiences to be transported.
What makes international cinema so interesting is that each territory has its own sensibility. When you look at an Indian or French film, there's a certain flavor. And even though the language is different, if the film is successful, it has something very common and understandable.
There are not more than five musical notes, yet the combinations of these five give rise to more melodies than can ever be heard.There are not more than five primary colors, yet in combination they produce more hues than can ever been seen.There are not more than five cardinal tastes, yet combinations of them yield more flavors than can ever be tasted.
I like things that don't sound particularly processed or mechanical or made by machines. I like music that contains human elements, with all their flaws. There's air in it, and you can hear a room of a bunch of guys playing. Those are the magic parts.
Whatever is felt upon the page without being specifically named there — that, one might say, is created.
Tom's great yellow bronze mask all draped upon an iron framework. An inhibited, nerve-drawn; dropped face - as if hung on a scaffold of heavy private brooding; and thought.
To write tragedy, a man must feel tragedy. To feel tragedy, a man must be aware of the world in which he lives. Not only with his mind, but with his blood and sinews.
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