All that we make and do is shaped by the communities and traditions that contain us, not to mention by money, power, politics, and luck. And even should the artist or scientist think she has extracted herself from the world to stand alone in the studio, a tremendous array of faculties and mind-states may well attend her creativity.
Interpretation
Our creations are influenced by our surroundings and circumstances.
Lewis Hyde's quote emphasizes that the work of artists and scientists is deeply intertwined with their communities, traditions, and the socio-political contexts they inhabit. Even when individuals believe they are isolated in their creative processes, they are still influenced by a complex array of factors including money, power, and luck, highlighting the interconnectedness of creativity and societal influences.
In practice
During a speech about the importance of community in artistic expression, a speaker might reference this quote to emphasize how environment shapes creativity.
Unlike the sale of a commodity, the giving of a gift tends to establish a relationship between the parties involved. When gifts circulate within a group, their commerce leaves a series of interconnected relationships in its wake, and a kind of decentralized cohesiveness emerges.
Better to operate with detachment, then; better to have a way but infuse it with a little humor; best, to have no way at all but to have instead the wit constantly to make one's way anew from the materials at hand.
But neither money nor machines can create. They shuttle tokens of energy, but they do not transform. A civilization based on them puts people out of touch with their creative powers.
Irony has only emergency use. Carried over time it is the voice of the trapped who have come to enjoy their cage.
An essential portion of any artist’s labor is not creation so much as invocation. Part of the work cannot be made, it must be received; and we cannot have this gift except, perhaps, by supplication, by courting, by creating within ourselves that ‘begging bowl’ to which the gift is drawn.
For the slow labor of realizing a potential gift the artist must retreat to those Bohemias, halfway between the slums and the library, where life is not counted by the clock and where the talented may be sure they will be ignored until that time, if it ever comes, when their gifts are viable enough to be set free and survive in the world.
When some state or other offered Alexander a part of its territory and half of all its property he told them that 'he hadn't come to Asia with the intention of accepting whatever they cared to give him, but of letting them keep whatever he chose to leave them.' Philosophy, likewise, tells all other occupations: 'It's not my intention to accept whatever time is leftover from you; you shall have, instead, what I reject.' Give your whole mind to her.
Yes, it was too late, and Sabina knew she would leave Paris, move on, and on again, because were she to die here they would cover her up with a stone, and in the mind of a woman for whom no place is home the thought of an end to all flight is unbearable.
Death, it seems," Garp wrote, "does not like to wait until we are prepared for it. Death is indulgent and enjoys, when it can, a flair for the dramatic.
When you live completely in each moment, without expecting anything, you have no idea of time.
If you believe in God, work with Him. If you do not, become one.
It felt to me like America was always wanting to resolve things too quickly, without thinking through what the costs and consequences would be and how that affects an individual living in that world. Then as I grew up and went about my life, I think I just got more and more interested in that gray area where things are not so easily quantified.
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