What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
Willa CatherRead
The condition every art requires is, not so much freedom from restriction, as freedom from adulteration and from the intrusion of foreign matter.
Interpretation
Art thrives in an environment free from external contamination that can distort its essence.
Willa Cather's quote emphasizes that for art to truly flourish, it must not only be free from constraints but also shielded from influences that dilute its original purity and intent. This suggests that the essence and authenticity of artistic expression are compromised when external factors interfere or manipulate the creative process.
In practice
During a speech at an art exhibit, one might use the quote to emphasize the importance of maintaining artistic integrity.
What was any art but a mould in which to imprison for a moment the shining elusive element which is life itself - life hurrying past us and running away, too strong to stop, too sweet to lose.
That is happiness; to be dissolved into something complete and great.
Our tree became the talking tree of the fairy tale; legends and stories nestled like birds in its branches.
Writing ought either to be the manufacture of stories for which there is a market demand - a business as safe and commendable as making soap or breakfast foods - or it should be an art, which is always a search for something for which there is no market demand, something new and untried, where the values are intrinsic and have nothing to do with standardized values.
The air and the earth interpenetrated in the warm gusts of spring; the soil was full of sunlight, and the sunlight full of red dust. The air one breathed was saturated with earthy smells, and the grass under foot had a reflection of the blue sky in it.
This is reality, whether you like it or not--all those frivolities of summer, the light and shadow, the living mask of green that trembled over everything, they were lies, and this is what was underneath. This is the truth.
I try to write something that would interest anybody and keep them turning the page. You must have a plot and good storyline.
Toward his critics, the artist harbors a defensive ace: knowledge that the future will erase the present.
Writers write these male stereotypes, and it makes it ten times more interesting if a woman says the lines.
Artists use lies to tell the truth. Yes, I created a lie. But because you believed it, you found something true about yourself.
The idea that a poem was a made thing stayed with me, and I decided then that I wanted to be an artist, not just a diarist. So I put myself through a kind of apprenticeship in writing poetry, and I understood even then that my practice as a poet was deeply related to my reading.
The curious thing about the Ready-Made is that I've never been able to arrive at a definition or explanation that fully satisfies me. There's still magic in the idea, so I'd rather keep it that way than try to be exoteric about it.
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