We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Samuel Taylor ColeridgeRead
A sight to dream of, not to tell!
Interpretation
The quote suggests that some experiences or visions are so beautiful or profound that they are best left unspoken.
Samuel Taylor Coleridge's quote reflects the idea that certain dreams or visions are of such extraordinary beauty that they transcend language. To articulate them may diminish their essence, making them more valuable as cherished, personal memories that evoke imagination rather than mere descriptions.
In practice
This quote could be used in a speech about the power of creative inspiration.
We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Common sense in an uncommon degree is what the world calls wisdom.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
Often do the spirits stride on before the event; and in today already walks tomorrow.
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
To believe and to understand are not diverse things, but the same things in different periods of growth.
The only pictures worth making are the ones that are playing with fire.
In my show I announce, 'People say Lady Gaga is a lie, and they are right. I am a lie. And every day I kill to make it true.'
Oh Beautiful for smoggy skies, insecticided grain, _x000D_ For strip-mined mountain's majesty above the asphalt plain. _x000D_ America, America, man sheds his waste on thee, _x000D_ And hides the pines with billboard signs, from sea to oily sea.
On the other hand, what I like my music to do to me is awaken the ghosts inside of me. Not the demons, you understand, but the ghosts.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
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