Without a doubt, my richest relationships are my long-term friendships with musical partners, because we make music together. That's what we love to do with our lives.
Chick CoreaRead
It's a constant challenge to get your arrangement and musical expression across to a new audience, especially when you're playing live every night like we are.
Interpretation
Expressing one's music to an audience is a continual challenge, especially in live performances.
Chick Corea emphasizes the difficulties musicians face in conveying their artistic vision and emotional expression to audiences, particularly in a live setting where every performance is unique and requires adaptation to the listeners. This highlights the dynamic nature of live music, where the artist must not only play their instrument but also connect with and engage the audience in real-time.
In practice
In a music workshop discussing the challenges of performing live.
Without a doubt, my richest relationships are my long-term friendships with musical partners, because we make music together. That's what we love to do with our lives.
I got a chance to listen to and watch Thelonious Monk and his quartet play two shows a night, for six weeks. It was a great education. There was my university, man.
I enjoy playing the band as the band. I 'be' the whole band and I'm playing the drums, I'm playing the guitar, I'm playing the saxophone. To me, the most wonderful thing about playing music is that.
We took away your art because we thought it would reveal your souls. Or to put it more finely, we did it to prove you had souls at all.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.
The fairy tale is in a perpetual state of becoming and alteration. To keep to one version or one translation alone is to put robin redbreast in a cage.
We may be coming to a new golden age of instrument making.
Some song ideas absolutely require a kind of rigid discipline, and others require absolute chaotic abandon. The form is only valid if you know how to un-form it. I don't mean to sound like an intellectual here!
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