. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
Gertrude SteinRead
The contemporary thing in art and literature is the thing which doesn't make enough difference to the people of that generation so that they can accept it or reject it.
Interpretation
Contemporary art and literature often lack significant impact on society, leading to ambivalence among people.
Gertrude Stein's quote suggests that contemporary works of art and literature fail to resonate deeply with their audience, resulting in a disconnect where individuals are neither compelled to embrace nor dismiss the creations. This reflects a broader commentary on the nature of art's relevance, questioning what it means for art to be impactful and how it should challenge or engage its viewers and readers.
In practice
In a discussion about modern art, one might reference this quote to highlight the challenges artists face in making their work impactful.
. . . money . . . is really the difference between men and animals, most of the things men feel, animals feel, and vice versa, but animals do not know about money.
The creator of the new composition in the arts is an outlaw until he is a classic.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
The United States is just now the oldest country in the world, there always is an oldest country and she is it, it is she who is the mother of the twentieth century civilization. She began to feel herself as it just after the Civil War. And so it is a country the right age to have been born in and the wrong age to live in.
I simply contend that the middle-class ideal which demands that people be affectionate, respectable, honest and content, that they avoid excitements and cultivate serenity is the ideal that appeals to me, it is in short the ideal of affectionate family life, of honorable business methods.
It is natural to indulge in the illusions of hope. We are apt to shut our eyes to that siren until she allures us to our death.
The camera could be a very powerful instrument against discrimination, against poverty, against racism.
To me, a building - if it's beautiful - is the love of one man, he's made it out of his love for space, materials, things like that.
In documentary filmmaking, there's a tradition of telling stories about victims. We often do that from a very patronizing place, but mostly we do it from a very selfish place, to reassure ourselves that our lives are in sympathy and solidarity with the victims.
The beauty and genius of a work of art may be reconceived, though its first material expression be destroyed; a vanished harmony may yet again inspire the composer; but when the last individual of a race of living things breathes no more, another heaven and another earth must pass before such a one can be again.
He with a graceful pride, While his rider every hand survey'd, Sprung loose, and flew into an escapade; Not moving forward, yet with every bound Pressing, and seeming still to quit his ground.
I love the entire ritual of getting dressed. When we do a fashion show, we try to send out a message; we couldn't do that without the hair and makeup. The whole is equal to the sum of its parts.
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