One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Honore De BalzacRead
If we could but paint with the hand what we see with the eye.
Interpretation
The quote expresses a desire for visual artists to capture their true perceptions through their art.
Honore De Balzac's quote suggests that artists strive to translate their visual experiences into their artwork. It reflects the idea that the beauty and complexity of what we observe with our eyes can be difficult to replicate with paint, highlighting the challenges artists face in expressing their vision and the nuances of their observations.
In practice
In a speech about creativity, a teacher might use this quote to inspire students to express their individual perspectives.
One can imagine the look the two lovers exchanged; it was like a flame, for virtuous lovers have not a shred of hypocrisy.
Loyalty in time of need is possibly one of the noblest of victories a courtier can win over himself.
Marriage must incessantly contend with a monster that devours everything: familiarity.
Who is to decide which is the grimmer sight: withered hearts, or empty skulls?
However gross a man may be, the minute he expresses a strong and genuine affection, some inner secretion alters his features, animates his gestures, and colors his voice. The stupidest man will often, under the stress of passion, achieve heights of eloquence, in thought if not in language, and seem to move in some luminous sphere. Goriot's voice and gesture had at this moment the power of communication that characterizes the great actor. Are not our finer feelings the poems of the human will?
Love is a religion, and its rituals cost more than those of other religions. It goes by quickly and, like a street urchin, it likes to mark its passage by a trail of devastation.
Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.
The stars fell one by one into his eyes and burnt.
You get older and come to the conclusion that it's a great gig making music. Even if you turn into an old gnarly fart, no one cares what you look like if you write good songs - the only gig is to sing well and perform.
The problem of architecture has always been the same throughout time. Its authentic quality is reached through its proportions, and the proportions cost nothing. In fact, most of them are proportions among things, not the things themselves. Art is almost always a question of proportions.
An artist is born like a priest is born. If they are born an artist, I would tell them art is not a game: it is something very serious which completely requires everything you have to give.
There is in writing the constant joy of sudden discovery, of happy accident.
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