An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
I could paint for a hundred years, a thousand years without stopping and I would still feel as though I knew nothing.
Interpretation
This quote reflects the endless pursuit of knowledge and mastery in art, suggesting that true understanding is a lifelong journey.
Paul Cezanne's quote emphasizes the idea that no matter how much time one dedicates to mastering a skill, particularly in the arts, there is always more to learn and discover. It conveys a sense of humility and the perpetual nature of learning, underscoring that expertise in art is an ongoing process rather than a destination.
In practice
This quote can be used in a discussion about the challenges artists face when trying to perfect their craft.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
I lack the magnificent richness of color that animates nature.
As things are, and as fundamentally they must always be, poetry is not a career, but a mug's game. No honest poet can ever feel quite sure of the permanent value of what he has written: He may have wasted his time and messed up his life for nothing.
That is why I believe that art is so much more significant than either economics or philosophy. It is the direct measure of man's spiritual vision.
Movies absorb our attention more completely, I think.
Hip-hop was created out of necessity. We needed to create some digitized things to help us understand what we were feeling.
People observe the colors of a day only at its beginnings and ends, but to me it's quite clear that a day merges through a multitude of shades and intonations with each passing moment. A single hour can consist of thousands of different colors. Waxy yellows, cloud-spot blues. Murky darkness. In my line of work, I make it a point to notice them.
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.
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