An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Paul CezanneRead
I lack the magnificent richness of color that animates nature.
Interpretation
Cezanne expresses his feelings of inadequacy in capturing the vibrant colors of nature in his art.
In this quote, Paul Cezanne reflects on his perception of nature's rich and vibrant colors, which he feels he is unable to fully convey in his artwork. It speaks to the struggle that artists often face in trying to replicate the beauty of the world around them, highlighting a sense of humility and acknowledgment of the complexities of nature's aesthetic.
In practice
In a discussion about the challenges of capturing nature in art, refer to this quote to express the difficulty artists face.
An art which isn't based on feeling isn't an art at all... feeling is the principle, the beginning and the end; craft, objective, technique - all these are in the middle.
Taste is the best judge. It is rare. Art only addresses itself to an excessively small number of individuals.
Monet is only an eye, but my God, what an eye!
If I were called upon to define briefly the word Art, I should call it the reproduction of what the senses preceive in nature, seen through the veil of the soul.
The landscape thinks itself in me and I am its consciousness.
Pure drawing is an abstraction. Drawing and colour are not distinct, everything in nature is coloured.
Because you have things like 'American Idol' and you've got radio stations that play music made entirely by computers, it's easy to forget there are bands with actual people playing actual instruments that rock.
You don't merely give over your creativity to making a film - you give over your life! In theatre, by contrast, you live these two rather strange lives simultaneously; you have no option but to confront the mould on last night's washing-up.
Your thin white face, chérie; he said, as if he saw it for the first time. Your thin white face, with its promise of debauchery only a connoisseur could detect.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. ... I have 10 or so, and thats a lot. As you get older, you become more skillful at casting them.
I want work that, possessing as thin a membrane as possible between life and art, foregrounds the question of how the writer solves being alive.
Subscribe for the occasional hand-picked quote. No noise.