I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
Mary Ellen MarkRead
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
Interpretation
The quote reflects the complex emotions and artistic expressions found in circuses, highlighting their multifaceted nature.
Mary Ellen Mark's quote explores the intricate blend of irony, poetry, and sentimentality present in circuses. She sees them as a canvas that encapsulates various human experiences and emotions, reminiscent of the layered storytelling seen in Fellini's films. This suggests that art can be found in unexpected places, inviting deeper reflection on the beauty and tragedy of life.
In practice
During a gallery opening, one could use this quote to discuss the emotional depth in art.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I want my photographs not only to be real but to portray the essence of my subjects also. In order to do that, you have to be patient.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
I believe in professionalism, but playing is not like a job. You have to be grateful to have the opportunity to play.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
It is the nature of the artist to mind excessively what is said about him. Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.
After a while, the characters I'm writing begin to feel real to me. That's when I know I'm heading in the right direction
People think that if you look fairly reasonable, you can't possibly act, and as I only care about acting, I think beauty can be a great handicap.
I have a strong sense that every project is an invention, which is not a word I hear being used in architecture courses.
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