I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
Mary Ellen MarkRead
As a kid, I used to dream about airplanes before I ever flew in one. I really knew, when I started photographing, I wanted it to be a way of knowing different cultures, not just in other countries but in this country, too, and I knew I wanted to enter other lives. I knew I wanted to be a voyeur.
Interpretation
The quote reflects the desire to explore and understand different cultures through the medium of photography.
Mary Ellen Mark's quote emphasizes the transformative power of photography as a tool for cultural exploration and personal connection. She expresses how her childhood dreams of flight align with her passion for capturing diverse lives and stories, highlighting a deep sense of curiosity and the desire to engage intimately with the world around her.
In practice
In a speech about the importance of cultural understanding, one might use this quote to emphasize how art can bridge different worlds.
I realized all of the possibilities that could exist for me with my camera: all of the images that I could capture, all of the lives I could enter, all of the people I could meet and how much I could learn from them.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
I could spend my whole life photographing circuses. They combine everything I'm interested in - they're ironic, poetic, and corny at the same time. There's also something about a circus that's magical, sentimental, and almost tragic, like a Fellini film.
I want my photographs not only to be real but to portray the essence of my subjects also. In order to do that, you have to be patient.
I saw that my camera gave me a sense of connection with others that I never had before. It allowed me to enter lives, satisfying a curiosity that was always there but that was never explored before.
Writing fiction has become a priestly business in countries that have lost their faith.
You don't have to make something in order to retain your identity as an artist or a writer or a creative person. A lot of people think they have to be producing in order to maintain that identity.
People don't understand the kind of fight it takes to record what you want to record the way you want to record it.
Second hand books are wild books, homeless books; they have come together in vast flocks of variegated feather, and have a charm which the domesticated volumes of the library lack.
I've heard some writers say things like, 'Well, I'm a professional writer. I only start books I know I can finish.' I look at it maybe the other way: I only want to write books I'm not sure I can write.
So to the wretched writer I should like to say that there’s one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them
Subscribe for the occasional hand-picked quote. No noise.