All I wanted was to be big, to be in show business and to travel ... and that's what I've been doing all my life.
Count BasieRead
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
Interpretation
Count Basie emphasizes the importance of infusing energy and authenticity into music, even when playing popular tunes.
In this quote, Count Basie reflects on his desire to play authentic jazz music, demonstrating a commitment to quality and artistry. He expresses that while he acknowledges the necessity of performing popular songs, he insists on ensuring that these performances maintain the integrity and smoothness characteristic of real jazz, highlighting a passion for musical excellence.
In practice
A musician might use this quote to inspire his band to maintain the essence of jazz while performing popular songs.
All I wanted was to be big, to be in show business and to travel ... and that's what I've been doing all my life.
If you find a note tonight that sounds good, play the same damn note every night!
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
I'm saying: to be continued, until we meet again. Meanwhile, keep on listening and tapping your feet.
I never thought innovation as such was very important. Not when you have to think about it... If you're going to come up with a new direction or a really new way to do something, you'll do it by just playing your stuff and letting it ride. The real innovators did their innovating by just being themselves.
Of course, there are a lot of ways you can treat the blues, but it will still be the blues.
Young people have decided they like to listen to music in a certain way, through ear buds, and that's fine with me as long as it doesn't bother them that they're not hearing 90 percent of the music that way.
When I was young and very green, I worte that tune, Sister Kate, and someone said that's fine, let me publish it for you. I'll give you fifty dollars. I didn't know nothing about papers, and business, and I sold it outright.
I worked hard all my life as far as this music business. I dreamed of the day when I could go to New York and feel comfortable and they could come out here and be comfortable.
Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.
There were musicians that influenced me, but they weren't all women. Teena Marie was a big influence because she wrote and produced her own music, which let me know that women could write and produce their own music, which was an empowering moment for me.
With rap, you go in the studio, you make music, you put the music out, then all of a sudden, you're a star: you have a big record on the radio, and you're on stage, and you've never done it before. Let's say your first show is 'Summer Jam,' and you're in front of 60,000 people, and you've never played an arena, ever. You're gonna suck.
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