I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
Count BasieRead
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
Interpretation
This quote reflects the unique impact of a musician's style and sound, even if it isn't immediately appreciated.
Count Basie's reflection on hearing Lester Young for the first time highlights how a distinctive musical style can evoke strong feelings and memories. The quote emphasizes the importance of originality in art, acknowledging that novel expressions may not always resonate immediately yet can significantly influence one's musical experience.
In practice
In a music appreciation class, this quote can illustrate the subjective nature of musical taste.
I, of course, wanted to play real jazz. When we played pop tunes, and naturally we had to, I wanted those pops to kick! Not loud and fast, understand, but smoothly and with a definite punch.
All I wanted was to be big, to be in show business and to travel ... and that's what I've been doing all my life.
If you find a note tonight that sounds good, play the same damn note every night!
I'm saying: to be continued, until we meet again. Meanwhile, keep on listening and tapping your feet.
I never thought innovation as such was very important. Not when you have to think about it... If you're going to come up with a new direction or a really new way to do something, you'll do it by just playing your stuff and letting it ride. The real innovators did their innovating by just being themselves.
Of course, there are a lot of ways you can treat the blues, but it will still be the blues.
Superficial pop will always exist - there've always been Fabians - but when people like Dire Straits and Bruce Hornsby start having hits, it suggests that there's a revolution going on in music.
If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
In hindsight, I think my manager and I both knew that 'Someone You Loved' was a special song that we had to put out. But no one was expecting it to do so well.
Orchestras are like people. They're the sonic embodiment of their community.
I think that American music, for me, it's a synthesis of a lot of different things. But for me growing up in North Carolina, the stuff that I was listening to, the things that I was hearing, it was all about Black music, about soul music.
When I sang my father's songs in concert, that was all people wanted to hear. I was always asking myself, 'Can I measure up?'
Subscribe for the occasional hand-picked quote. No noise.