Building a proper wardrobe is like building a home. Indeed, you should think of it like a home, because it is something you're going to live in. It must be comfortable and suit all your needs.
Edith HeadRead
Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.
Interpretation
The quote reflects the challenges of originality in the creative industry, particularly in fashion and design.
In this quote, Edith Head expresses her frustration with the fashion industry where her designs have been copied by others, including major fashion houses like Couture. She acknowledges that imitation is a common element of the business, highlighting how difficult it is for designers to maintain originality and ownership over their creative ideas in a competitive environment.
In practice
During a design workshop, discussing the importance of originality.
Building a proper wardrobe is like building a home. Indeed, you should think of it like a home, because it is something you're going to live in. It must be comfortable and suit all your needs.
As women, we all have certain weaknesses. I know one who can't resist pretty shoes but has nothing suitable to wear with them. Others adore frilly lingerie but never have any money to buy outer clothing.
Fashion is a language. Some know it, some learn it, some never will - like an instinct.
Growing old gracefully used to begin at about 35, but today women prefer to 'stay young gratefully' with thanks to designers, beauticians and plastic surgeons.
I've dressed thousands of actors, actresses and animals, but whenever I am asked which star is my personal favorite, I answer, 'Grace Kelly.' She is a charming lady, a most gifted actress and, to me, a valued friend.
Many faux pas of fashion can be avoided if you curb your instinctive desire to buy things with your heart instead of your head.
The informing idea of what you want to say and do, that's what will take you from film school to professional - the idea. That's what is original to you.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
And I saw the sax line-up that he had behind him and I thought, I'm going to learn the saxophone. When I grow up, I'm going to play in his band. So I sort of persuaded my dad to get me a kind of a plastic saxophone on the hire purchase plan.
I wrote poems in my corner of the Brooks Street station. I sent them to two editors who rejected them right off. I read those letters of rejection years later and I agreed with those editors.
I don't choose to make low-budget films. But that is the reality of surviving in the Japanese film industry. However, the trade off is, since we're working on small budgets, we have freedom. You can't buy this freedom with money. With this freedom, I think there are an infinite number of possibilities.
I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.
Subscribe for the occasional hand-picked quote. No noise.