Crazy is so hard to play, there's nothing you can really tell an actor.
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You write who you are. But you also cheat, and youwrite what you want to be. It's embarrasing to be the guy who madethe movie, knowing you're not exactly who you want to be.
I have a feeling, one of those gut feelings, that I'll make pretty good movies the rest of my life.
It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
My filmmaking education consisted of finding out what filmmakers I liked were watching, then seeing those films. I learned the technical stuff from books and magazines, and with the new technology you can watch entire movies accompanied by audio commentary from the director. You can learn more from John Sturges' audio track on the 'Bad Day at Black Rock' laserdisc than you can in 20 years of film school. Film school is a complete con, because the information is there if you want it.
I am always looking for that nuance, that moment of truth, and you can't really do that fast.
How do I respond to criticism? Critically. I listen to all criticism critically.
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