It is good to have an end to journey towards; but it is the journey that matters, in the end.
Ursula K. Le GuinRead
The creative adult is the child who has survived.
Interpretation
This quote emphasizes the importance of maintaining creativity and imagination into adulthood, which often stems from childhood innocence and wonder.
Ursula K. Le Guin's quote suggests that the essence of creativity in adulthood is deeply rooted in the ability to preserve the childlike qualities of imagination and curiosity. As we grow older, societal norms can stifle our creativity, but those who embrace their inner child continue to innovate and express themselves artistically, highlighting the significance of nurturing one's creative spirit throughout life.
In practice
Using the quote in a motivational speech about embracing creativity in the workplace.
It is good to have an end to journey towards; but it is the journey that matters, in the end.
In reading a novel, any novel, we have to know perfectly well that the whole thing is nonsense, and then, while reading, believe every word of it. Finally, when we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have changed a little... But it's very hard to say just what we learned, how we were changed.
Reason is a faculty far larger than mere objective force. When either the political or the scientific discourse announces itself as the voice of reason, it is playing God, and should be spanked and stood in the corner.
The only thing that makes life possible is permanent, intolerable uncertainty; not knowing what comes next.
We read books to find out who we are. What other people, real or imaginary, do and think and feel... is an essential guide to our understanding of what we ourselves are and may become.
When he found that the administrators were upset, he laughed. βDo they expect students not to be anarchists?β he said. βWhat else can the young be? When you are on the bottom, you must organize from the bottom up
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
My goal is for 'Heavy Rain' to leave an imprint in you and change a little bit of who you are and how you see things. Maybe the key characters and key moments will leave a trace in you. If you don't have this ambition as a video-game creator, then maybe you should do something else, because this is what creation and art is about.
Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.
There are no lines in nature, only areas of colour, one against another.
All that is good in art is the expression of one soul talking to another, and is precious according to the greatness of the soul that utters it.
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