Life is more important than architecture.
Oscar NiemeyerRead
Curves are the essence of my work because they are the essence of Brazil, pure and simple.
Interpretation
Curves symbolize the natural beauty and identity of Brazil, reflecting in Niemeyer's artistic expression.
In this quote, Oscar Niemeyer emphasizes the significance of curves in his architectural designs, linking them to the cultural and natural essence of Brazil. He sees curves not just as a design choice, but as a fundamental element that encapsulates the identity and beauty of his homeland, illustrating how art can be deeply intertwined with cultural identity.
In practice
In a presentation about modern architecture, I would quote Niemeyer to illustrate the importance of cultural elements in design.
Life is more important than architecture.
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
We need to feel that life is important; we need that fantasy so we can live a little better.
Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.
When you have a large space to conquer, the curve is the natural solution.
I was attracted by the curve β the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
I like fashion to go down to the street, but I can't accept that it should originate there.
All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
The core of my writing is not art but truth.
Writing a screenplay, for me, is like juggling. It's like, how many balls can you get in the air at once? All those ideas have to float out there to a certain point, and then they'll crystallize into a pattern.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Subscribe for the occasional hand-picked quote. No noise.