The body says what words cannot.
Martha GrahamRead
A dancer must listen to his body and pay homage to it. Behind the movement lies this terrible, driving passion, this necessity. I won't settle for anything less.
Interpretation
The quote emphasizes the deep connection and respect a dancer must have for their own body in the creative process.
Martha Graham highlights the essential relationship between a dancer and their body, suggesting that true expression in dance comes from an intense and passionate understanding of one's own physicality. This quote reveals the dedication and commitment required to achieve artistic excellence, as well as the idea that a dancer's movement is fueled by a profound inner necessity that goes beyond mere technical skill.
In practice
This quote can inspire dancers during rehearsals to connect deeply with their movements.
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
The body is your instrument in dance, but your art is outside that creature, the body.
Writing is my passion. It is a way to experience the ecstatic. The root understanding of the word ecstasy—“to stand outside”—comes to me in those moments when I am immersed so deeply in the act of thinking and writing that everything else, even flesh, falls away.
I offer my performance as prayer for someone I've worked with as an actor or someone who has died. The image that comes into my head as I walk to the stage, I offer that performance up for that person.
Pink is what I do. Alecia is who I am. The world has taken Pink and turned it into this thing, a brand - a snarl.
But now it's just another show, you leave em laughing when you go. And if you care, don't let them know, don't give yourself away.
In my career as a director, there's always been some point where you get halfway through it, or three-quarters, and you go: 'What is this thing all about, and why am I telling the story? Does anybody really care about seeing this?' At that time you have to say: 'OK, forget that and just go ahead.'
It was my dad’s idea that music is supposed to be more than simply about entertainment and making a living, but about being of service as an integral part of the consciousness of the world. In honor of him and because it’s right, I use music in that light.
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