As a dancer, you really try to stay true to whatever the choreographer/artistic director is giving you. So, now the shoe is on the other foot and I have to trust everyone else - I have to trust the dancer. As I was trusted as a dancer, I trust my dancers.
Interpretation
Trust between a choreographer and dancers is essential for creativity and performance.
Judith Jamison emphasizes the importance of reciprocal trust in the artistic process between choreographers and dancers. By sharing the responsibility and trust, both parties contribute to a more cohesive and dynamic performance, highlighting the collaboration required in the art of dance.
In practice
In a dance workshop, a choreographer could use this quote to emphasize the importance of trust in the creative process.
It's never too early to teach your children about the tool of money. Teach them how to work for it and they learn pride and self-respect. Teach them how to save it and they learn security and self-worth. Teach them how to be generous with it and they learn love.
We can go on talking about racism and who treated whom badly, but what are you going to do about it? Are you going to wallow in that or are you going to create your own agenda?
I've always felt that complement of opposites: body and soul, solitude and companionship, and in the dance studio, contraction and release, rise and fall.
You wake up white, and you think about certain things every day. You wake up black, and you think about certain things. You wake up Chinese, and you think certain things - but those things aren't major. What's major is that you are good at your craft.
You don't enter a dance studio and say "I can't do that." If you do, then why are you in the studio in the first place?
Maybe it's a generational thing, but I never wanted to be the best black dancer in the world. I just wanted to be the best.
Meeting authors is kind of the death of the characters. That is always heartbreaking.
If one means by style the voice, the irreducible and always recognizable and alive thing, then of course style is really everything.
I always say I write because I have questions, not because I have answers. It's true that you begin the conversation - that's the role of the artist. But it's not my job to tell us what to do next. I wish I had those tools.
One of the grotesqueries of present-day American life is the amount of reasoning that goes into displaying the wisdom secreted in bad movies while proving that modern art is meaningless. They have put into practice the notion that a bad art work cleverly interpreted according to some obscure Method is more rewarding than a masterpiece wrapped in silence.
To elevate the soul, poetry is necessary.
The beauty of doing film is that you construct whatever you do block by block and you can build something that will stay.
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