They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
Edith WhartonRead
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
Interpretation
Humans have a deep-rooted instinct to seek balance and harmony in their surroundings.
In this quote, Edith Wharton highlights the innate human tendency to appreciate and strive for symmetry, balance, and rhythm, not just in visual art but also in sound and life itself. This desire reflects a fundamental aspect of human nature, indicating that our aesthetic preferences and emotional responses are often guided by these principles of harmony.
In practice
This quote can be used in a lecture about the elements of design in art classes.
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods
Set wide the window. Let me drink the day.
And I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, & consequently suggests more tugging, & pain, & diversified elements of misery, than the marriage tie.
As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each otherβs angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep
There are two ways to spread happiness; either be the light who shines it or be the mirror who reflects it.
I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list.
Every child is an artist. The problem is how to remain an artist once we grow up.
It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot.
In the haunted house of life, art is the only stair that doesn't creak.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
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