They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
Edith WhartonRead
The desire for symmetry, for balance, for rhythm in form as well as in sound, is one of the most inveterate of human instincts.
Interpretation
Humans have a deep-rooted instinct to seek balance and harmony in their surroundings.
In this quote, Edith Wharton highlights the innate human tendency to appreciate and strive for symmetry, balance, and rhythm, not just in visual art but also in sound and life itself. This desire reflects a fundamental aspect of human nature, indicating that our aesthetic preferences and emotional responses are often guided by these principles of harmony.
In practice
This quote can be used in a lecture about the elements of design in art classes.
They are all alike you know. They hold their tongues for years and you think you're safe, but when the opportunity comes they remember everything.
They seemed to come suddenly upon happiness as if they had surprised a butterfly in the winter woods
Set wide the window. Let me drink the day.
And I wonder, among all the tangles of this mortal coil, which one contains tighter knots to undo, & consequently suggests more tugging, & pain, & diversified elements of misery, than the marriage tie.
As he paid the hansom and followed his wife's long train into the house he took refuge in the comforting platitude that the first six months were always the most difficult in marriage. 'After that I suppose we shall have pretty nearly finished rubbing off each otherβs angles,' he reflected; but the worst of it was that May's pressure was already bearing on the very angles whose sharpness he most wanted to keep
There are two ways to spread happiness; either be the light who shines it or be the mirror who reflects it.
The poets who have written the best poems about war seem to be the poets whose countries have experienced an invasion or vicious dictatorships.
Beauty is something wonderful and strange that the artist fashions out of the chaos of the world in the torment of his soul.
Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
Commercial theater, in its agenda to appeal to everybody, is often at the expense of the unique vision of the artist.
I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.
Novels are political because in them, we try to identify with people who are not like us. And, in that sense, I like the first-person singular because I have to imitate accurately the voice of someone who is not like me. The third-person singular gives me an authority over a character.
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