Everybody's story of getting into the industry is just as difficult as the next person. Whether you come from money or no money, it's not easy... you have to offer yourself; you can't expect someone to get you.
Florence PughRead
I love watching faces as they grow up. It's the difference between so many strong British actresses compared to what America does to women. I like a face that hasn't been tampered with.
Interpretation
The quote reflects an appreciation for natural aging and authenticity in actors' appearances.
Florence Pugh expresses her admiration for the natural aging process, particularly in British actresses, contrasting it with the often artificial enhancements prevalent in American culture. She values authenticity and the stories that are etched on faces over a polished, altered appearance, suggesting that true beauty comes from embracing one's natural features and experiences.
In practice
In an interview on beauty standards, one might quote this to emphasize the importance of embracing natural looks.
Everybody's story of getting into the industry is just as difficult as the next person. Whether you come from money or no money, it's not easy... you have to offer yourself; you can't expect someone to get you.
When you're given a platform, and you're allowed to perform, and someone's there to heighten you as opposed to dampen you, that's a nice feeling.
Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.
You could say that it's in talking movies that inner life begins to appear. You can see things happen to the faces of people that were neither planned nor rehearsed.
It is the mission of art to remind man from time to time that he is human, and the time is ripe, just now, today, for such a reminder.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
I never know what I am writing. The moment you know what you're writing, you're writing nothing worth reading.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
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