My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
Forcing yourself to use restricted means is the sort of restraint that liberates invention. It obliges you to make a kind of progress that you can't even imagine in advance.
Interpretation
Limiting your resources can lead to greater creativity and unexpected innovations.
Pablo Picasso highlights the paradox that placing constraints on oneself can actually drive innovation and creativity. By forcing oneself to work within limits, new ideas and solutions can emerge that would not have been conceivable without the pressure of those restrictions.
In practice
A workshop on innovation that discusses how limitations can foster creativity.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
I'm so powerful in stage that I seem to have created a monster. When I'm performing I'm an extrovert, yet inside I'm a completely different man.
I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.
I am not immune to the lure of a signed record, flier or set list. The fact that your music heroes potentially had, in their own hands, the record you now have in yours is kind of cool. When the musician has departed, it can give the thing a unique power.
What has happened to architecture since the second world war that the only passers-by who can contemplate it without pain are those equipped with a white stick and a dog?
The substance of fictional architecture is not bricks and mortar but evanescent consciousness.
Fat people are so rarely included in visual culture that fat is perceived as a blot on the landscape of sleek and slim.
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