Time starts out as a notion. But after you turn fifty, time is not a notion anymore but a fact that you start feeling clearly, and in a way, it pushes you to become present in the present.
Alejandro Gonzalez InarrituRead
To direct actors is difficult. To direct actors in another language is more difficult, but directing non-actors in another language is one of the craziest things that I have done and one of the most rewarding experiences I have had.
Interpretation
Directing non-actors in a foreign language is a challenging yet rewarding task.
In this quote, Alejandro Gonzalez Inarritu reflects on the complexities of directing, particularly when it involves non-actors and a language barrier. He highlights that the experience, while daunting, ultimately yields great rewards, illustrating the unique challenges and triumphs that come with creative storytelling in diverse settings.
In practice
In a film class discussing the challenges of directing.
Time starts out as a notion. But after you turn fifty, time is not a notion anymore but a fact that you start feeling clearly, and in a way, it pushes you to become present in the present.
For me, the most important thing that I have to accomplish is to be a good father. That's the most difficult challenge of my life. That's the most important thing for me, more than films.
I've learned to lose with a smile on my face. That's what the Oscar teaches you.
We have always existed in different forms - carbon, oxygen, water, heat. Maybe Heaven is this brief period when the elements realize they're alive.
I have a lot of what you might call creative self-loathing - I have pretty high expectations, and they seem to consistently be higher than what I'm able to accomplish.
If the audience, in minute 50, is thinking about the way a movie is shot, there's a problem. I want it to permeate emotionally.
If I go three days without vocalizing, the voice is gone.
To be a photographer, one must photograph. No amount of book learning, no checklist of seminars attended, can substitute for the simple act of making pictures.
Anything is an art if you do it at the level of an art.
At every premiere, I stand in the back, I never sit, worrying. And then maybe I hear them laugh or whatever, and the muscles unclench a little. But always, I feel like it's a fluke, that I'll never be able to do it again.
Writing is very improvisational. It's like trying to fix a broken sewing machine with safety pins and rubber bands. A lot of tinkering.
So I write melodies - thirty, forty, fifty - then I cast them off until I have just two or three. If only one is needed, I go see the director and ask him to decide.
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