All directors are storytellers, so the motivation was to tell the story I wanted to tell. That's what I love.
Interpretation
The quote reflects the idea that all directors create narratives, driven by their passion for storytelling.
In this quote, Spike Lee emphasizes that being a director is inherently about storytelling. It suggests that the core motivation for directors stems from a deep-seated desire to convey their unique visions and narratives, highlighting the love and passion that fuels their creative process.
In practice
This quote can be used in a film class to inspire students about the importance of storytelling in directing.
I think that anyone who lives in New York, who's lived here, who's spent any time here, knows that it's basically a love-hate relationship, you might say. Even though I still think it's the greatest city in the world and I wouldn't live anywhere else, there're still things about it one doesn't like. The love far outweighs the negative.
There's an unwritten law that you cannot have a Jewish character in a film who isn't 100 percent perfect, or you're labeled anti-Semitic.
The truth is I've been doing Kickstarter before there was Kickstarter; there was no Internet. Social Media was writing letters, making phone calls, beating the bushes.
It gets dangerous when you start allowing people to validate your work.
Because many advances have happened, we've lost the urgency (and that's just human nature) that we had before, when we couldn't vote, couldn't use mass transportation, or drink from the fountains.
It comes down to this: black people were stripped of our identities when we were brought here, and it's been a quest since then to define who we are.
When I decided to write 'The God of Small Things', I had been working in cinema. It was almost a decision to downshift from there. I thought that 300 people would read it. But it created a platform of trust.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
This award is meaningful because it comes from my fellow dealers in celluloid.
If you are a new, upcoming designer, you've got to think of new, cool ways to make the industry look at you. Don't just get stuck in a rut, show your clothes, and be like, 'You should like this.'
I am uncompromising to the point of huge dissension in the studio. And it's served me very well. My theory and my philosophy is, 'Compromise breeds mediocrity.' Obviously, you have to pick your battles, and the more success an artist has, the more they want to be involved in their own career, which is not necessarily a good thing.
Presence is far more intricate and rewarding an art than productivity.
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