When you're curious, you find lots of interesting things to do.
Walt DisneyRead
Disneyland is the star, everything else is in the supporting role.
Interpretation
Disneyland is the main attraction, with everything else being secondary to its charm.
This quote emphasizes the central role of Disneyland as a captivating destination that captures the imagination and joy of visitors. Walt Disney viewed Disneyland not just as an amusement park but as a masterpiece of art and creativity that brings dreams to life, while everything else in the experience surrounds and supports this central theme.
In practice
In a speech about the importance of creativity in design, referencing Walt Disney's vision for Disneyland.
When you're curious, you find lots of interesting things to do.
Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.
To all who come to this happy place: Welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America; with the hope that it will be a source of joy and inspiration to all the world.
It's kind of fun to do the impossible.
Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.
Happiness is a state of mind. It's just according to the way you look at things.
The real payoff is the writing itself, that a day when you have gotten your work done is a good day, that total dedication is the point.
After the last line of a poem, nothing follows except literary criticism.
Writing well involves walking the path of most resistance. Sitting still, being patient, allowing the lunatic dream to take shape on the page, then the shaping, the pencil on the page, breathing, slowing down, being willing–no, more than willing, being wide open–to press the bruise until it blossoms.
Emily Dickinson never developed. She remained loyal to her persona and to that same little metrical song that stood her in such good stead. She is a striking example of complexity within a simple package. Her rhymes are like bows on the package.
Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away.
Even when I'm writing plays I enjoy having company and mentally I think of that company as the company I'm writing for.
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