We must learn to die, and to die in the fullest sense of the word. The fear of the end is the source of all lovelessness
Richard WagnerRead
I can't distract myself enough here, for sketches to a new opera are constantly buzzing around in my head, to the extent that I need all my strength to wrest myself from them.
Interpretation
The quote reflects the struggle of an artist to focus on the present while being overwhelmed by creative ideas.
Richard Wagner expresses the profound challenge that artists often face: the constant stream of creative thoughts and inspirations can be both a blessing and a distraction. In this quote, he reveals how the sketches for a new opera are incessantly occupying his mind, making it difficult for him to concentrate on anything else. This highlights the relentless nature of creativity and the inner conflict between the desire to create and the need for focus.
In practice
The quote can be used in a speech about the challenges of artistic creation.
We must learn to die, and to die in the fullest sense of the word. The fear of the end is the source of all lovelessness
The oldest, truest, most beautiful organ of music, the origin to which alone our music owes its being, is the human voice.
Here, everything is tragic through and through, and the will, that fain would shape a world according to its wish, at last can reach no greater satisfaction than the breaking of itself in dignified annulment.
Everything lives and lasts by the inner necessity of its being, by its own nature's need.
One might say that where Religion becomes artificial, it is reserved for Art to save the spirit of religion.
I believe in God, Mozart and Beethoven, and likewise their disciples and apostles; - I believe in the Holy Spirit and the truth of the one, indivisible Art; - I believe that this Art proceeds from God, and lives within the hearts of all illumined men.
I am very happy to design haute couture. It's a love story between couture and me.
A poet's work is to name the unnamable, to point at frauds, to take sides, start arguments, shape the world, and stop it going to sleep.
If contemporary artists sincerely seek to be original, unique, and new, they should begin by disregarding the notions of originality, individuality, and innovation: they are the cliches of our time.
A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself . . . with incidents arousing pity and fear, wherewith to accomplish its catharsis of such emotions.
An artist is always alone - if he is an artist. No, what the artist needs is loneliness.
Nudity has never seemed to bother Grace Jones. Her art has thrived, in part, on a physical candor that both shocked people and redrew the boundaries of taste, beauty, and eroticism around her masculinity, ebony skin, and unrelenting intensity.
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