We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
Krzysztof KieslowskiRead
Documentaries deal with people who live real, everyday lives. But if these people trusted us and told us the truth about their lives, it could be used against them - which sometimes happened.
Interpretation
Documentaries capture real-life stories, but trust and honesty can expose subjects to harm.
This quote by Krzysztof Kieslowski highlights the delicate balance between the intention of documentaries to portray authentic experiences and the potential consequences of revealing personal truths. It underscores the ethical implications of storytelling, where the vulnerability of subjects may lead to unintended negative outcomes if their stories are misused or misunderstood.
In practice
In a film discussion, you might quote Kieslowski to emphasize the ethical responsibilities of filmmakers.
We all steal, but if we're smart we steal from great directors. Then, we can call it influence.
For 6,000 years, these rules have been unquestionably right. And yet we break them every day. People feel that something is wrong in life. There is some kind of atmosphere that makes people now turn to other values. They want to contemplate the basic questions of life, and that is probably the real reason for wanting to tell these stories.
Things have changed for the worse. That's why former eastern bloc countries are electing communists again. We are missing them and longing for the times we cursed before.
I like chance meetings - life is full of them. Every day, without realising it, I pass people whom I should know.
Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory.
The television industry doesn't like to see the compexity of the world. It prefers simple reporting, with simple ideas: this is white, that's black; this is good, that's bad.
In my photography, I always lean towards the underprivileged because that's where I came from. When I went to the wars, I attempted to go and stand by those who were being trodden on. By that, I mean people like the Palestinians. When I go to India, I see really the poorest people, and I tend to be drawn to them.
Bottom line, I have to follow what my soul says, or my spirit. And my spirit said that poetry and the arts should be without borders, should be without political borders.
I can’t write five words but that I change seven.
Growing up, I never gave a thought to being a writer. All I ever wanted to be was a traveler and explorer. Science-fiction allowed me to go places that were otherwise inaccessible, which is why I started reading it.
Poetry allies itself with beauty - a supreme union - but never uses it as its ultimate goal or sole nourishment.
I think writers need windows on a view to remind them that a whole world is out there, not the minutiae with which they might be dealing on a close scale
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