I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Interpretation
What this quote means
The quote emphasizes that the process of filmmaking involves extensive effort and time, and not every moment captured is inferior; rather, it's part of the creative journey.
Ken Burns highlights the extensive labor and material that goes into documentary filmmaking, suggesting that the disparity between shooting and finished footage reflects the complexity of storytelling rather than a qualitative judgment of the unedited content. He reassures that the hours not included in the final edit are still valuable and contribute to the overall narrative, indicating that significant work often goes unnoticed in the final product.
Themes
In practice
Example use cases
In a talk about creativity, one might cite this quote to illustrate the importance of patience and persistence.
More from Ken Burns
All quotes →Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.
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The modern artist is working with space and time, and expressing his feelings rather than illustrating.
At one time, I was very angry. I even treated fashion like a kind of crusade: you were either with us or against us, that kind of feeling. Now I know we need ideas, not kicking down a door.
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
Poetry is not a civilizer, rather the reverse, for great poetry appeals to the most primitive instincts.
Eloquence is a painting of the thoughts.
The experience of writing 'The Kite Runner' is one I will always think back on with fondness. There is an energy, a romance in writing the first novel that can never be duplicated again.