I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Interpretation
What this quote means
The quote emphasizes that the process of filmmaking involves extensive effort and time, and not every moment captured is inferior; rather, it's part of the creative journey.
Ken Burns highlights the extensive labor and material that goes into documentary filmmaking, suggesting that the disparity between shooting and finished footage reflects the complexity of storytelling rather than a qualitative judgment of the unedited content. He reassures that the hours not included in the final edit are still valuable and contribute to the overall narrative, indicating that significant work often goes unnoticed in the final product.
Themes
In practice
Example use cases
In a talk about creativity, one might cite this quote to illustrate the importance of patience and persistence.
More from Ken Burns
All quotes →Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
You need, as a historian, essential triangulation from your subject and the only way you get that triangulation is through time.
Similar quotes
The sinews of art and literature, like those of war, are money.
"Dirty Love" wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent... I am not certain that anyone involved has ever seen a movie, or knows what one is.
As an artist, you make music. And if you see people who don't know how to market your music, you get involved in it. Otherwise, what you want to accomplish 'gets lost in translation' - no pun intended.
Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.
I guess I've accepted that theatre is never going to be edgy in the way I want it to be. It's too expensive for a start. And, the audience seems to be complicit in the dullness.
I am trying to make art that relates to the deepest and most mythic concerns of human kind and I believe that, at this moment of history, feminism is humanism.