Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
Jackson PollockRead
The modern artist is working with space and time, and expressing his feelings rather than illustrating.
Interpretation
Modern artists prioritize emotional expression over literal representation.
Jackson Pollock's quote highlights the transformative nature of modern art, where the artist focuses on conveying emotions through their work rather than simply depicting reality. It emphasizes the significance of space and time in the creation of art, suggesting that the artist’s feelings and experiences shape the artwork, making it a personal and subjective interpretation of the world.
In practice
During an art class, a teacher may quote Pollock to inspire students to express their own feelings through their artwork.
Abstract painting is abstract. It confronts you. There was a reviewer a while back who wrote that my pictures didn't have any beginning or any end. He didn't mean it as a compliment, but it was.
I don't paint nature. I am nature.
I'm very representational some of the time, and a little all of the time. But when you're painting out of your unconscious, figures are bound to emerge.
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
My painting does not come from the easel.
I've been thinking of death a lot, and I am amazed by its inevitability, frightened, as we all are, of the totally unknown, and yet feel a long sleep is somehow earned by those of us who live on the edge.
To this urn let those repair_x000D_ _x000D_ That are either true or fair;_x000D_ _x000D_ For these dead birds sigh a prayer.
Songwriters can’t explain. You get an idea and you don’t know where it’s come from. And if you’re lucky, you have a pencil or pen and can write it down.
Is the cinema more important than life?
Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
The ambivalence of writing is such that it can be considered both an act and an interpretive process that follows after an act with which it cannot coincide. As such, it both affirms and denies its own nature.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
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