Is not the most erotic part of the body wherever the clothing affords a glimpse?
Roland BarthesRead
Every photograph is a certificate of presence.
Interpretation
This quote emphasizes that photographs serve as proof of existence at a specific moment in time.
Roland Barthes' quote suggests that every photograph captures a moment that confirms the presence of a subject, whether it be a person, place, or object, at a particular point in time. This idea underscores the documentary nature of photography, highlighting its role in preserving memories and evidence of reality, ultimately reminding us of the transient nature of existence and our ability to commemorate it through images.
In practice
Using the quote during a photography exhibition to discuss the significance of each captured moment.
Is not the most erotic part of the body wherever the clothing affords a glimpse?
If I acknowledge my dependency, I do so because for me it is a means of signifying my demand: in the realm of love, futility is not a "weakness" or an "absurdity": it is a strong sign: the more futile, the more it signifies and the more it asserts itself as strength.)
The gesture of the amorous embrace seems to fulfill, for a time, the subject's dream of total union with the loved being: The longing for consummation with the other.
The text is a tissue of quotations drawn from the innumerable centres of culture.
I think that cars today are almost the exact equivalent of the great Gothic cathedrals: I mean the supreme creation of an era, conceived with passion by unknown artists, and consumed in image if not in usage by a whole population which appropriates them as a purely magical object.
All those young photographers who are at work in the world, determined upon the capture of actuality, do not know that they are agents of Death.
Fiction is life with the dull bits left out.
When we play an unaccompanied Bach suite we may compare ourselves to an actor in Shakespeare's day, creating scenery which did not exist at all, through the power of declamation and suggestion. So in Bach. There is but one voice -- and many voices have to be suggested.
I'd like to think I am taking people on a journey; I am not just entertaining people, but giving them something to think about when they leave.
I watch people who are not driven by creativity any more, and I think how dull it must be to produce the same kind of thing. If you don't feel you're reaching something new, then don't do it.
You know how a lot of people say, 'I lose myself in music,' or 'I like to escape,' but I want my music to be more of an awakening. I want it to make people to be aware of life; I don't want my music to be a distraction. I want to light a path.
It was the moment I learned acting is not acting out. After that light went on, I spent the rest of my life trying to figure out how to make other people realize it.
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