A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Tony KushnerRead
I'm fairly certain when I die that the obituary will say, 'Author of 'Angels in America' dies.' Unless I'm completely forgotten, and then it won't say anything at all.
Interpretation
The quote reflects an awareness of one's legacy and how people are remembered after death.
Tony Kushner's quote highlights the transient nature of life and the memories we leave behind. It touches on the importance of recognition for oneβs work and the fear of being forgotten, suggesting that while some may be remembered for their contributions, others may fade into obscurity, leaving behind little or no legacy.
In practice
In a speech at a literary festival, reflecting on how art influences society.
A handful of works in history have had a direct impact on social policy: one or two works of Dickens, some of Zola, 'Uncle Tom's Cabin' and, in modern drama, Larry Kramer's 'The Normal Heart.'
Artists know that diligence counts as much, if not more, as inspiration; in art, as in politics, patience counts as much as revolution.
I don't understand why I'm not dead. When your heart breaks, you should die
In this world, there is a kind of painful progress. Longing for what we've left behind, and dreaming ahead.
The way that same-sex marriage should reach the federal level is that it absolutely should be decided by the Supreme Court as quickly as possible. It's a 14th Amendment issue. There's no argument about it.
Gay TV has been immensely important in transforming American culture in a more gay-positive direction.
Literature is not a picture of life, but is a separate experience with its own kind of flow and enhancement.
We are all affected by Le Corbusier, Frank Lloyd Wright, Alvar Aalto, and Mies van der Rohe. But no less than Bramante, Borromini, and Bernini. Architecture is a tradition, a long continuum. Whether we break with tradition or enhance it, we are still connected to that past. We evolve.
Who are you, a hundred years from today, reading my poetry with curiosity?
When we paint, whether it is on our bodies for ceremony or on bark or canvas for the market, we're not just painting for fun or profit, we're painting as we always have done to demonstrate our continuing link with our country and the rights and responsibilities we have to it.
I've always wanted to be aware of what's going on around me, and I've wanted to use photography as an instrument of research into and reporting on the life of my own time.
Hip-hop is a perfect mix between poetry and boxing.
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