Visit me once each year, for it's wrong to abandon people forever.
Naguib MahfouzRead
If the urge to write should ever leave me, I want that day to be my last.
Interpretation
The quote expresses a deep passion for writing, equating the loss of that passion to the end of life.
Naguib Mahfouz's quote highlights the intrinsic connection between an artist and their craft, suggesting that for him, writing is not merely a profession but an essential part of his existence. The sentiment reflects a profound commitment to creativity, illustrating that the act of writing is vital to his identity, and without it, life would lose its meaning.
In practice
This quote can be used in a motivational speech about following your passions.
Visit me once each year, for it's wrong to abandon people forever.
It's clearly more important to treat one's fellow man well than to be always praying and fasting and touching one's head to a prayer mat.
As for life's tragedies, our love will defeat them. Love is the most effective cure. In the crevices of disasters, happiness lies like a diamond in a mind, so let us instill in ourselves the wisdom of love.
I love Sufism as I love beautiful poetry, but it is not the answer. Sufism is like a mirage in the desert. It says to you, come and sit, relax and enjoy yourself for a while.
I believe in life and in people. I feel obliged to advocate their highest ideals as long as I believe them to be true. I also see myself compelled to revolt against ideals I believe to be false, since recoiling from rebellion would be a form of treason
I found myself in a sea in which the waves of joy and sorrow were clashing against each other.
The drama's altar isn't on the stage: it is candle-sticked and flowered in the box office. There is the gold, though there be no frankincense or myrrh; and the gospel for the day always The Play will Run for a Year. The Dove of Inspiration, of the desire for inspiration, has flown away from it; and on it's roof, now, the commonplace crow caws candidly.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
Art cannot change the world, but it can contribute to changing the consciousness and drives of the men and women who could change the world.
A precious, mouldering pleasure 't is To meet an antique book In just the dress his century wore; A privilege, I think, His venerable hand to take, And warming in our own, A passage back, or two, to make To times when he was young. His quaint opinions to inspect, His knowledge to unfold On what concerns our mutual mind, The literature of old.
The camera does not like acting. The camera is only interested in filming behaviour. So you damn well learn your lines until you know them inside out, while standing on your head!
And the reason I am writing this on the back of a manila envelope now that they have left the train together is to tell you that when she turned to lift the large, delicate cello onto the overhead rack, I saw him looking up at her and what she was doing the way the eyes of saints are painted when they are looking up at God when he is doing something remarkable, something that identifies him as God.
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