Pride is founded not on the sense of happiness, but on the sense of power.
William HazlittRead
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
Interpretation
The quote expresses the idea that true beauty prompts a desire to connect and share experiences of that beauty with others.
William Hazlitt suggests that the appreciation of beauty is an intense, almost restless feeling that seeks to communicate and express itself. This sense of beauty is not limited to the object itself; instead, it yearns to resonate with other forms of beauty, enhancing our understanding and appreciation through creative expression.
In practice
In a speech about creativity, one could quote Hazlitt to emphasize the power of artistic expression.
Pride is founded not on the sense of happiness, but on the sense of power.
The world loves to be amused by hollow professions, to be deceived by flattering appearances, to live in a state of hallucination; and can forgive everything but the plain, downright, simple, honest truth.
Our repugnance to death increases in proportion to our consciousness of having lived in vain.
We can bear to be deprived of everything but our self-conceit.
There are few things in which we deceive ourselves more than in the esteem we profess to entertain for our firends. It is little better than a piece of quackery. The truth is, we think of them as we please, that is, as they please or displease us.
Prosperity is a great teacher; adversity is a greater. Possession pampers the mind; privation trains and strengthens it.
Writers, you know, are the beggars of Western society.
I detest my past, and anyone else's. I detest resignation, patience, professional heroism and obligatory beautiful feelings. I also detest the decorative arts, folklore, advertising, voices making announcements, aerodynamism, boy scouts, the smell of moth balls, events of the moment, and drunken people.
Fiction does not spring into the world fully grown, like Athena. It is the process of writing and rewriting that makes a fiction original, if not profound.
You have two kinds of shows on Broadway - revivals and the same kind of musicals over and over again, all spectacles. You get your tickets for 'The Lion King' a year in advance, and essentially a family comes as if to a picnic, and they pass on to their children the idea that that's what the theater is - a spectacular musical you see once a year, a stage version of a movie. It has nothing to do with theater at all. It has to do with seeing what is familiar. We live in a recycled culture.
But it was the singing that pulled me in and split me wide open.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
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