Pride is founded not on the sense of happiness, but on the sense of power.
William HazlittRead
The poetical impression of any object is that uneasy, exquisite sense of beauty or power that cannot be contained within itself; that is impatient of all limit; that (as flame bends to flame) strives to link itself to some other image of kindred beauty or grandeur; to enshrine itself, as it were, in the highest forms of fancy, and to relieve the aching sense of pleasure by expressing it in the boldest manner.
Interpretation
The quote expresses the idea that true beauty prompts a desire to connect and share experiences of that beauty with others.
William Hazlitt suggests that the appreciation of beauty is an intense, almost restless feeling that seeks to communicate and express itself. This sense of beauty is not limited to the object itself; instead, it yearns to resonate with other forms of beauty, enhancing our understanding and appreciation through creative expression.
In practice
In a speech about creativity, one could quote Hazlitt to emphasize the power of artistic expression.
Pride is founded not on the sense of happiness, but on the sense of power.
The world loves to be amused by hollow professions, to be deceived by flattering appearances, to live in a state of hallucination; and can forgive everything but the plain, downright, simple, honest truth.
Our repugnance to death increases in proportion to our consciousness of having lived in vain.
We can bear to be deprived of everything but our self-conceit.
There are few things in which we deceive ourselves more than in the esteem we profess to entertain for our firends. It is little better than a piece of quackery. The truth is, we think of them as we please, that is, as they please or displease us.
Prosperity is a great teacher; adversity is a greater. Possession pampers the mind; privation trains and strengthens it.
Yes, I can play younger than my age. But I can play characters older than I am, too. I'm not an actor who can just play the kid.
Words are beautiful but restricted. They're very masculine, with a compact frame. But voice is over the dark, the place where there's nothing to hang on: it comes from a part of yourself that simply knows, expresses itself, and is.
Your writing", she said to me, "it's so raw. It's like a sledgehammer, and yet it has humor and tenderness. . . .
In my work and in myself I reflect black people, women and men, as I reflect others. One day even the most self-protective ones will look into the mirror I provide and not be afraid.
I just like art. I get pure pleasure from it. I have a lot of wonderful paintings, and every time I look at them I see something different.
The creative act is not hanging on, but yielding to a new creative movement. Awe is what moves us forward.
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