In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.
Mario Vargas LlosaRead
Reality is the richest thing there is, the most important thing there is. Our imagination allows us to live an artificial life that is wonderful, extremely rich, but I don't believe any artist would dare to say that artifice is better than real life.
Interpretation
Reality holds immense value, surpassing even the wonders of imagination, as true life is more significant than artistic creations.
Mario Vargas Llosa emphasizes the superiority of reality over imagination in the realm of artistic expression. While imagination can create incredibly rich and wonderful experiences, it is important to recognize that it is artificial, and no genuine artist would claim that this fabricated world is more meaningful or profound than the complexities of real life.
In practice
In a creative writing workshop, to emphasize the value of realism in storytelling.
In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.
I think if you're impregnated with good literature, with good culture, you're much more difficult to manipulate, and you're much more aware of the dangers that powers represent.
Part of the reasons I have lived the life I have is because I wanted to have an adventurous life. But my best adventures are more literary than political.
I don't want to finish my life not being alive. I think that is the saddest thing that can happen to a person. I want to keep living to the end.
Today, everybody is more or less conscious of the total failure of the Cuban revolution to produce wealth, to produce a better standard of living for the Cubans. With the exception of small radical parties, Latin Americans know that it's a brutal dictatorship and the longest in Latin American history.
When I was growing up, the Spanish-speaking world was Balkanized. We were isolated. We didn't know what was happening in cultural terms in Ecuador, Colombia and Chile. Nowadays, this has changed a lot - fortunately for writers and readers. There is much more integration.
For me, the intellect is always the guide but not the goal of the performance. Three things have to be coordinated, and not one must stick out. Not too much intellect because it can become scholastic. Not too much heart because it can become schmaltz. Not too much technique because you become a mechanic.
This is the role of writers: to turn their tears into a story - and perhaps into a prayer.
A strange thing has happened - while all the other arts were born naked, this, the youngest, has been born fully-clothed. It can say everything before it has anything to say. It is as if the savage tribe, instead of finding two bars of iron to play with, had found scattering the seashore fiddles, flutes, saxophones, trumpets, grand pianos by Erhard and Bechstein, and had begun with incredible energy, but without knowing a note of music, to hammer and thump upon them all at the same time.
I try to use whatever I know about photography to be of service to the people I'm photographing.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
A poet is a bird of unearthly excellence, who escapes from his celestial realm arrives in this world warbling. If we do not cherish him, he spreads his wings and flies back into his homeland.
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