I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
James NachtweyRead
I try to use whatever I know about photography to be of service to the people I'm photographing.
Interpretation
The quote expresses a commitment to using one's skills to benefit others, particularly in the context of photography.
James Nachtwey emphasizes the importance of empathy and service in his work as a photographer. He believes that his knowledge and skills in photography should be directed towards helping and representing the subjects he captures, highlighting the ethical responsibility of artists to serve and advocate for their subjects rather than merely document them.
In practice
At a photography exhibition discussing the role of photographers in humanitarian work.
I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
I became a photographer in order to be a war photographer, and a photographer involved in what I thought were critical social issues. From the very beginning this was my goal.
I don't think tragic situations are necessarily devoid of beauty.
If you want to connect with people who are in distress and great grief and scared, you need to do it in a certain way. I move kind of slow. I talk kind of slow. I let them know that I respect them.
[Photography] puts a human face on issues which, from afar, can appear abstract or ideological or monumental in their global impact.
If Im feeling outraged, grief, disbelief, frustration, sympathy, that gets channeled through me and into my pictures and hopefully transmitted to the viewer.
In fiction, you know, there are no borders. You can go anywhere.
Anybody that creates anything is just creating new compositions of things that have existed before. We're all creating something, we're all creating our own personal works of art in ourselves.
I think that at a certain age, say fifteen or sixteen, poetry is like masturbation. But later in life good poets burn their early poetry, and bad poets publish it. Thankfully I gave up rather quickly.
My paintings are not about what is seen. They are about what is known forever in the mind.
To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth.
I think black people have to be in control of their own image because film is a powerful medium. We can't just sit back and let other people define our existence.
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