The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
Twyla TharpRead
To the Suprematist the visual phenomena of the objective world are, in themselves, meaningless; the significant thing is feeling, as such, quite apart from the environment in which it is called forth.
Interpretation
The quote emphasizes that the essence of art lies in the feelings it evokes rather than the objects it portrays.
Kazimir Malevich argues that to the Suprematist, the visible world is insignificant on its own; what truly matters is the emotional response it elicits, independent of the surrounding context. This perspective challenges traditional notions of representation in art, suggesting that the pure experience of feeling takes precedence over the depiction of recognizable forms.
In practice
This quote can be used in an art criticism paper to support the idea that emotional response is paramount in evaluating art.
The content and thematic materials of dance is, of itself, like boxing. You play tennis and baseball. But boxing is not a sport you play: you stand up and do it.
Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.
I was always the first person in the theater all the time. If it was an eight-o'clock curtain, I was here at five-thirty, and it wasn't that I needed to vocalize, because I was all warmed up. I couldn't wait for it to begin.
The modern artist is working with space and time, and expressing his feelings rather than illustrating.
When everything goes right a mobile is a piece of poetry that dances with the joy of life and surprise!
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