I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
Ridley ScottRead
Far from being dead, physical media has years of life left and must be preserved because there is no better alternative.
Interpretation
Physical media remains vital and must be preserved as the best medium for art and expression.
Ridley Scott emphasizes the importance of physical media, suggesting that despite the rise of digital formats, tangible forms of art and culture hold a unique value that cannot be replicated. He argues for the preservation of physical media, highlighting its longevity and irreplaceability in the creative landscape.
In practice
During a talk on the future of art, this quote can emphasize the importance of preserving traditional forms.
I used to agonise over what to do next, but now I'm making a movie a year. It's insane, but it's only a movie after all. You just hang in there, and occasionally you might make something which you can call art... briefly.
The best stories come out of the truth.
In my view, the only way to see a film remains the way the filmmaker intended: inside a large movie theater with great sound and pristine picture.
I think over time I've learned to stop being a screamer and get interactive; otherwise, you get killed in Hollywood. I stopped being a screamer shortly after 'Blade Runner,' kicking doors and things like that, because I wasn't actually getting anywhere.
I've gradually realised that what I do best is universes. And I shouldn't be afraid of that.
Everyone is tearing each other apart in the name of their personal god. And the irony is, by definition, they're probably worshiping the same god.
When you stand on the stage you must have a sense that you are addressing the whole world, and that what you say is so important the whole world must listen.
Perfume is a form of writing, an ink, a choice made in the first person, the dot on the i, a weapon, a courteous gesture, part of the instant, a consequence.
Some of the most intense affairs are between actors and characters. There's a fire in the human heart and we jump into it with the same obsession as we have with our lovers.
I'm very much of the opinion that theatre is a collective art form, not just one person's vision.
I say to myself, 'I don't know how to act - and why does anybody want to look at me on-screen anymore?' ... Lots of actors feel that way. What gives you strength is also your weakness - your raging insecurity.
Where I grew up, in Aldgate, east London, one of the poorest boroughs in the country, I saw lots that was real - the bankers with their briefcases, the man next door with five wives, the illegal immigrants in Flat 5. I'm from a world you rarely see on screen, and I want to show it off.
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