As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
His neigh is like the bidding of a monarch, and his countenance enforces homage. He is indeed a horse.
Interpretation
This quote conveys the majestic nature of a horse, comparing it to royalty and evoking respect from those who observe it.
In this quote, Shakespeare illustrates the nobility and elegance of a horse, suggesting that its presence commands admiration and reverence akin to that of a monarch. The description emphasizes not only the physical attributes of the horse but also the dignity and authority it embodies, reflecting broader themes of beauty, power, and the natural world in art and literature.
In practice
This quote could be used in a presentation about the role of animals in art and literature.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
What I want is that my picture should evoke nothing but emotion.
The most important thing to realise is that everyone is capable of telling a story. It doesn't matter where we were born or how we grew up.
Every picture has its own demands, and every picture stimulates something within you to tell it a certain way. I don't know what that is; I don't think too much about that.
Every building is like a person. Single and unrepeatable.
My eyes are vague blue, like the sky, and change all the time; they are indiscriminate but fleeting, entirely specific and disloyal, so that no one trusts me. I am always looking away. Or again at something after it has given me up.
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