People have to start talking to know more about other cultures and to understand each other.
Martin ScorseseRead
I think when you're young and have that first burst of energy and make five or six pictures in a row that tell the stories of all the things in life you want to say... well, maybe those are the films that should have won me the Oscar.
Interpretation
This quote reflects a filmmaker's perspective on youthful creativity and the value of storytelling in film.
In this quote, Martin Scorsese expresses nostalgia for his early filmmaking days, where his youthful energy fueled a series of artistic works that conveyed profound life stories. He suggests that these films, driven by passion and sincerity, hold significant artistic merit, potentially deserving recognition such as an Oscar, highlighting the importance of genuine expression in art over accolades.
In practice
During a film festival, a speaker might reference this quote to discuss the raw energy of emerging filmmakers.
People have to start talking to know more about other cultures and to understand each other.
Eradicating a religion of kindness is, I think, a terrible thing for the Chinese to attempt.
I think all the great studio filmmakers are dead or no longer working. I don't put myself, my friends, and other contemporary filmmakers in their category. I just see us doing some work.
I always say that I've been in a bad mood for maybe 35 years now. I try to lighten it up, but that's what comes out when you get me on camera.
The cinema began with a passionate, physical relationship between celluloid and the artists and craftsmen and technicians who handled it, manipulated it, and came to know it the way a lover comes to know every inch of the body of the beloved. No matter where the cinema goes, we cannot afford to lose sight of its beginnings.
Very often I've known people who wouldn't say a word to each other, but they'd go to see movies together and experience life that way.
Hot weather opens the skull of a city, exposing its white brain, and its heart of nerves, which sizzle like the wires inside a lightbulb. And there exudes a sour extra-human smell that makes the very stone seem flesh-alive, webbed and pulsing.
Exuberance is better than taste.
When a critic sets himself up as an arbiter of morality, a judge of the matter and not the manner of a work, he is no longer a critic; he is a censor.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
The history of my life is the history of the struggle between an overwhelming urge to write and a combination of circumstances bent on keeping me from it.
Black storytelling can be about anything, absolutely anything, and within that it can be as enriching, as complex, beautiful, ugly as anything else. We are not seeing enough of those complexities on our stages.
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