Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
Interpretation
What this quote means
The quote reflects the importance of embracing vibrant experiences and perspectives that can enrich our understanding of reality.
Robert Rauschenberg's quote emphasizes the transformative impact of experiencing culture and art in their authentic forms. By observing the vivid colors of everyday life in India, he acknowledges that beauty can transcend conventional boundaries and be found even in the most unexpected places. This realization encourages an appreciation of the richness of life that may be overlooked in a more restrained or artificial context.
Themes
In practice
Example use cases
In a speech about cultural appreciation, one could use this quote to illustrate how travel can broaden our worldview.
More from Robert Rauschenberg
All quotes →I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
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Fashion is a language. Some know it, some learn it, some never will - like an instinct.
I'm not in any rush. I'm not somebody who, if I write a song, I get it out. That's not something I've ever really quite done.
The Creator made Italy from designs by Michelangelo.
One should really use the camera as though tomorrow you'd be stricken blind.