Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
Interpretation
The quote reflects the complexity of artistic exploration and the limits of single works to express one's full creative vision.
Robert Rauschenberg highlights the challenges artists face in distilling their thoughts and explorations into just one or two pieces of art. He acknowledges that creativity is often a process that requires multiple attempts and iterations to fully capture the depth of ideas and possibilities he wishes to explore.
In practice
When discussing the creative process in an art class.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
Art is what we call...the thing an artist does. It's not the medium or the oil or the price or whether it hangs on a wall or you eat it. What matters, what makes it art, is that the person who made it overcame the resistance, ignored the voice of doubt and made something worth making. Something risky. Something human. Art is not in the ...eye of the beholder. It's in the soul of the artist.
Jazz, to me, is one of the inherent expressions of Negro life in America: the eternal tom-tom beating in the Negro soul - the tom-tom of revolt against weariness in a white world, a world of subway trains, and work, work, work; the tom-tom of joy and laughter, and pain swallowed in a smile.
What makes literature interesting is that it does not survive its translation. The characters in a novel are made out of the sentences. That's what their substance is.
You can't trust an artist that just makes good records.
If all your life means to you is water running over rocks, then photograph it, but I want to create something that would not have existed without me.
I write by hand, making many, many corrections. I would say I cross out more than I write. I have to hunt for words when I speak, and I have the same difficulty when writing.
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