Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
Interpretation
The quote reflects the artist's struggle to express complex emotions associated with painting.
Robert Rauschenberg expresses a personal conflict with the commonly held attitudes about art that involve suffering and pain. He indicates that despite these themes often being glorified in the art world, he could not relate to them or make them resonate in his own work, suggesting a different perspective on creativity that does not rely on struggle or anguish.
In practice
In a speech about modern art, one could use this quote to highlight the diverse experiences of artists.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
Fiction is a branch of neurology: the scenarios of nerve and blood vessels are the written mythologies of memory and desire.
Whenever I sit with a bowl of soup before me, listening to the murmur that penetrates like the distant song of an insect, lost in contemplation of the flavours to come, I feel as if I were being drawn into a trance.
The challenge of screenwriting is to say much in little and then take half of that little out and still preserve an effect of leisure and natural movement
You must be absolutely honest and true in the depicting of a totem for meaning is attached to every line. You must be most particular about detail and proportion.
I'm the oldest son of a crazy man, I'm in a cowboy band.
I loved photography and everybody said it was a crazy thing to do because in those days nobody made it into the film business. I mean, unless you were related to somebody there was no way in.
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