Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
Interpretation
The quote reflects the artist's struggle to express complex emotions associated with painting.
Robert Rauschenberg expresses a personal conflict with the commonly held attitudes about art that involve suffering and pain. He indicates that despite these themes often being glorified in the art world, he could not relate to them or make them resonate in his own work, suggesting a different perspective on creativity that does not rely on struggle or anguish.
In practice
In a speech about modern art, one could use this quote to highlight the diverse experiences of artists.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
The poet makes silk dresses out of worms.
To whom does design address itself: to the greatest number, to the specialist of an enlightened matter, to a privileged social class? Design addresses itself to the need.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.
I think you have to have a real point of view that's your own. You have to tell it your way. And, I think that it's a mistake to shoot for a specific magazine's point of view because it's never going to be as good. You have to shoot for yourself and photograph [ the way] you believe it.
Making art is complicated because the categories are always changing. You just have to make your own art, and whatever categories it falls into will come later.
The poignancy of a photograph comes from looking back to a fleeting moment in a floating world. The transitoriness is what creates the sense of the sacred
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