Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
My art is about paying attention - about the extremely dangerous possibility that you might be art.
Interpretation
The quote emphasizes the importance of awareness and observation in the creation of art, suggesting that we all have the potential to be art ourselves.
Robert Rauschenberg's quote highlights the transformative power of attention in art. By suggesting that the act of paying attention can turn ordinary experiences into something artistic, he challenges us to recognize that our perceptions and interactions can elevate our existence to an art form. The notion of 'dangerous possibility' implies that this awareness can lead to profound insights and revelations about identity and creativity.
In practice
In a discussion about the nature of creativity during an art class.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
Whether you like it or not, a child really connects you to that time when everything's new. It's so important - not just for artistic endeavors, but for humanity.
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
Dogmatism of all kinds--scientific, economic, moral, as well as political--are threatened by the creative freedom of the artist. This is necessarily and inevitably so. We cannot escape our anxiety over the fact that the artists together with creative persons of all sorts, are the possible destroyer of our nicely ordered systems. (p. 76)
There are some designers who flash and burn - Courreges is an example of that. But he still marked fashion history. And I don't think that longevity is always a badge of honor. Modern brand management means that we are always celebrating birthdays, when what is exciting about fashion is innovation, not repetition.
I sang of leaves, of leaves of gold, and leaves of gold there grew.
I'm not a classical player. I don't want to be a classical player. I love to improvise, because things happen that never happen anywhere else.
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