I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
Robert RauschenbergRead
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Interpretation
Familiarity with a piece of art can lead to a loss of genuine appreciation.
This quote by Robert Rauschenberg suggests that when we engage with a painting too frequently, we may begin to recognize its image without truly seeing or appreciating the depth and intricacies it holds. This familiarity can transform the artwork into a mere facsimile in our minds, detracting from the emotional and intellectual engagement that art is meant to inspire.
In practice
Discussing the role of familiarity in art appreciation during an art workshop.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Movies may be as close to a document of our national culture as there is; they're supposed to represent what we believe ourselves to be. So when you don't see yourself at all - or see yourself erased - that hurts.
Sometimes I feel as if I am read before I write. When I write a poem about my mother, Palestinians think my mother is a symbol for Palestine. But I write as a poet, and my mother is my mother. She's not a symbol.
A critic should be taught to criticise a work of art without making any reference to the personality of the author.
In many ways, writing is the act of saying 'I,' of imposing oneself upon other people, of saying, 'Listen to me, see it my way, change your mind.' It's an aggressive, even a hostile act.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
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