Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
Interpretation
The quote emphasizes the importance of materials and experiences over abstract concepts in the creative process.
Robert Rauschenberg suggests that genuine creativity arises not from trusting ideas alone, particularly those that seem appealing or 'good,' but rather from engaging directly with the materials and experiences that challenge our understanding. This interaction with the unknown fosters true innovation and connection to the creative process, as it grounds artistic expression in tangible reality rather than abstract thoughts.
In practice
During a workshop on creative processes, I shared this quote to inspire artists to focus on their materials.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I was a very observant child. Almost anything could become a song to me.
I have piles of poetry books in the bathroom, on the stairs, everywhere. The only way to write poetry is to read it.
Copy, art, and typography should be seen as a living entity; each element integrally related, in harmony with the whole, and essential to the execution of an idea.
I prefer to unwind by DJing. I learned that from Mike D from the Beastie Boys. After a show, he would DJ. Once I saw that, I wanted to do that. And now DJing is like my lifeline. I love the power it represents.
I would never want to live anywhere but Baltimore. You can look far and wide, but you'll never discover a stranger city with such extreme style. It's as if every eccentric in the South decided to move north, ran out of gas in Baltimore, and decided to stay.
Nowhere in the job description of an artist is the requirement that I must validate your taste.
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