I've learned that my people are not the only ones oppressed... I have sung my songs all over the world and everywhere found that some common bond makes the people of all lands take to Negro songs as their own.
Paul RobesonRead
When I sang my American folk melodies in Budapest, Prague, Tiflis, Moscow, Oslo, or the Hebrides or on the Spanish front, the people understood and wept or rejoiced with the spirit of the songs. I found that where forces have been the same, whether people weave, build, pick cotton, or dig in the mine, they understand each other in the common language of work, suffering, and protest.
Interpretation
The quote expresses the universal power of music and the shared experiences of humanity across different cultures.
In this quote, Paul Robeson reflects on his experiences singing American folk melodies in various cities around the world. He emphasizes that regardless of geographical or cultural differences, people can connect emotionally through music, as it resonates with their shared experiences of labor, suffering, and protest. The songs become a common language that transcends boundaries and creates empathy among listeners.
In practice
This quote can be used during a speech on the importance of cultural exchange through the arts.
I've learned that my people are not the only ones oppressed... I have sung my songs all over the world and everywhere found that some common bond makes the people of all lands take to Negro songs as their own.
We ask for nothing that is not ours by right, and herein lies the great moral power of our demand.
My mother was born in your state, Mr. Walter, and my mother was a Quaker, and my ancestors in the time of Washington baked bread for George Washington's troops when they crossed the Delaware, and my own father was a slave.
The intolerance of the few, or the risk of it, carries the day against the wider humanity of the many.
I shall take my voice wherever there are those who want to hear the melody of freedom
And at home in the United States we found continued and increased persecution, first of leaders of the Communist Party, and then of all honest anti-fascists.
The challenge is to keep up with all the new poets at the same time I love the old ones.
There is nothing harder to learn than painting and nothing which most people take less trouble about learning. An art school is a place where about three people work with feverish energy and everybody else idles to a degree that I should have conceived unattainable by human nature.
Art for Duchamp, all the arts, obey the same law: meta-irony is inherent in their very spirit. It is an irony that destroys its own negation and, hence, returns in the affirmative.
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
But in many orders of beauty, particularly those of the finer arts, it is requisite to employ much reasoning, in order to feel the proper sentiment; and a false relish may frequently be corrected by argument and reflection. There are just grounds to conclude, that moral beauty partakes of this latter species, and demands the assistance of our intellectual faculties, in order to give it a suitable influence on the human mind.
I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door.
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