They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
Interpretation
A play revolves around conflict and imbalance that needs resolution.
David Mamet's quote emphasizes that drama and storytelling are fundamentally about conflict and the desire to restore balance. Without conflict, stories lack engagement and purpose, as they thrive on unbalanced situations that compel characters to seek resolution. In essence, the essence of a compelling play lies in its ability to portray struggles and the quest for order amidst chaos.
In practice
In a theater discussion about how conflicts drive narrative.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
It starts with the writer-it's a familiar dictum, but somehow it keeps getting forgotten along the way. No film-maker, irrespective of his electronic bag of tricks, can ever afford to forget his commitment to the written word.
Everything that happened to me as a child involved music. It was part of everyday life, as automatic as breathing.
Landscape photography is the supreme test of the photographer - and often the supreme disappointment.
I don't paint nature. I am nature.
Dance is just like film in that it allows for thoughts in movement.
The country that I was coming from, the island I was in, hadn't been written about, really. So I thought that I virtually had it all to myself, including the language that was spoken there, which was a French Creole, and a landscape that is not recorded, really, and the people.
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