They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
Interpretation
A play revolves around conflict and imbalance that needs resolution.
David Mamet's quote emphasizes that drama and storytelling are fundamentally about conflict and the desire to restore balance. Without conflict, stories lack engagement and purpose, as they thrive on unbalanced situations that compel characters to seek resolution. In essence, the essence of a compelling play lies in its ability to portray struggles and the quest for order amidst chaos.
In practice
In a theater discussion about how conflicts drive narrative.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
It's a cliche, but true, that writing is intensely solitary and at times really lonely. I sit in one room and talk to squirrels and blue jays all day.
I get the impression sometimes that a play arrives in a sequence of events that I have no control over.
Nowhere in the job description of an artist is the requirement that I must validate your taste.
You are just as qualified as any expert to make a judgment and have a feeling or a response to any work of art.
I change the language with which I use my voice. In opera, I know I have an orchestra behind me; I have to communicate to people very far from me.
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