They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
David MametRead
You know, young actors say all the time, 'Should I use my own life experience?' And my response is, 'What choice do you have?'
Interpretation
Actors should draw from their own life experiences to enhance their performances.
David Mamet emphasizes the importance of authenticity in acting. He suggests that young actors inherently possess a wealth of personal experiences that they can draw upon to inform and enrich their portrayals, implying that one's unique perspective is an invaluable resource in the craft of acting.
In practice
This quote can be used during acting workshops to inspire young actors to embrace their personal stories.
They say you can't study Kabbalah until you are at least 40 years old. You know why? You have to have experienced at least one generation making the same mistakes as the previous one.
My alma mater is the Chicago Public Library. I got what little educational foundation I got in the third-floor reading room, under the tutelage of a Coca-Cola sign.
It's hard for a Jew of my generation, an American Jew, who is philo-Zionistic, not to romanticize Israel.
You can't write about history without writing about politics at some point. History is about movements of people. 'What is criminality and what is government' is a theme that runs through every history.
Every reiteration of the idea that nothing matters debases the human spirit.
The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.
My hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.
One must die to life in order to be utterly a creator.
Intolerance respecting other people's religion is toleration itself in comparison with intolerance respecting other people's art.
When people ask me if I am a feminist film maker, I reply I am a woman and I also make films.
I have made up thousands of stories; I have filled innumerable notebooks with phrases to be used when I have found the true story, the one story to which all these phrases refer. But I have never yet found the story. And I begin to ask, Are there stories?
I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic. I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still.
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