We are at last being recognised as the indigenous people of this country whom must share in its future. This is not a day of national mourning for us. We must leave history behind us and look forward.
Galarrwuy YunupinguRead
When we paint, whether it is on our bodies for ceremony or on bark or canvas for the market, we're not just painting for fun or profit, we're painting as we always have done to demonstrate our continuing link with our country and the rights and responsibilities we have to it.
Interpretation
Painting is a means of expressing our connection to the land and our responsibilities as its stewards.
In this quote, Galarrwuy Yunupingu emphasizes that painting transcends mere enjoyment or commerce; it is a profound act rooted in cultural identity and a responsibility towards one’s country. The act of painting serves as a medium to convey a deep, enduring relationship with the land, reflecting both rights and duties to nurture and honor it.
In practice
During an art exhibition, I quoted this to emphasize the deeper meaning behind indigenous art.
We are at last being recognised as the indigenous people of this country whom must share in its future. This is not a day of national mourning for us. We must leave history behind us and look forward.
The Poet is a kinsman in the clouds Who scoffs at archers, loves a stormy day; But on the ground, among the hooting crowds, He cannot walk, his wings are in the way.
And I don't consider Broadway the acropolis of theatrical art. I mean Broadway is commercial - that's what it is. It's expensive seats and a lot of them that have to be filled every night. Off-Broadway and Off-Off Broadway, as far as I'm concerned, is in New York the pride of New York theater.
The only writers who have any peace are the ones who don't write. And there are some like that. They wallow in a sea of possibilities. To express a thought, you first have to limit it, and that means kill it. Every word I speak robs me of a thousand others, and every line I write means giving up another.
In other words, I wouldn't like to be an actor if I could only be real. I like to get wild, behaviorally wild, and it's crazy to think of any form where it's just one way.
When I was seven or eight years old, I began to read the science-fiction magazines that were brought by guests into my grandparents' boarding house in Waukegan, Illinois. Those were the years when Hugo Gernsback was publishing 'Amazing Stories,' with vivid, appallingly imaginative cover paintings that fed my hungry imagination.
I never studied theatre; I learned it by doing it. If I had studied theatre, I would not be making the kind of theatre I am making.
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